JON DRISCOLL

PROJECTION DESIGNER

Training: cinematography at the National Film and Television School, Beaconsfield, and theatre design at Croydon College of Art.

Theatre includes: designs for Earthquakes in London (Evening Standard Award for Best Design), Nation, The Power of Yes, All’s Well that Ends Well, The Observer, Gethsemane, Her Naked Skin, Fram, A Matter of Life and Death and The Reporter (NT), Birdsong (Comedy), Love Never Dies (Adelphi), The Prisoner of Second Avenue (Vaudeville), Enron (for Headlong at Chichester, Royal Court, West End and Broadway, Olivier Award nomination for Best Design), Separate Tables and The Last Cigarette (Chichester), Complicit (Old Vic), Brief Encounter (for Kneehigh in the West End and Broadway, OBIE, Evening Standard Award and Critics’ Circle Award for Best Design, Olivier Award nomination for Best Design), Midnight’s Children (RSC), The Lightning Play and Whistling Psyche (Almeida), Frost/Nixon (Donmar Warehouse and Broadway), Whistle in the Dark (Royal Exchange, Manchester), Some Girls Are Bigger Than Others and Lady into Fox (Lyric, Hammersmith), Fabulation and Bloody Sunday: Scenes from the Saville Inquiry (Tricycle), The Year of the Hiker (Druid), Dirty Dancing (Aldwych and internationally), Heroes and Up for Grabs (Wyndham’s), Our House (Cambridge Theatre), Glorious and Life after George (Duchess), When Harry Met Sally (Theatre Royal, Haymarket) and Dance of Death (Lyric and Sydney Festival).

Dance includes: designs for Alice in Wonderland (Royal Ballet) and Arthur Parts I & II (Birmingham Royal Ballet).

Events include: Secret Cinema’s Blade Runner at Canary Wharf.

Jon is a technical associate of the NT.

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